People at the cutting edge: lawnmower designers
Marilyn Elm
| Article Index |
|---|
| People at the cutting edge: lawnmower designers |
| Mr. Shanks and the pony |
| A power struggle |
| Post-war boom |
| Future cuts |
| Endnotes, sources and further reading |
The lawnmower has come a long way from the cumbersome machine that replaced the scythe, to the autonomous, computer-operated devices of today.
Marilyn Elm celebrates the individual ingenuity behind this most essential piece of gardening equipment.
Until the 19th century, parkland or lawns associated with vast country estates were traditionally managed by the use of grazing stock or the scythe. The latter required much skill, time and labour to be effective. An acre (0.4 hectare) of lawn required three men to work for a day.
When Edwin Beard Budding invented the first mowing machine in 1830, there had been a rapid population shift from the country to urban centres, fuelled by the Industrial Revolution. New working communities gathered around the mills, factories and mines, while the wealth-makers, the rising middle classes, sought refuge on the outskirts of the towns and cities in their new suburban villas.
Thinking outside the box
Budding was born in 1796, into a long-established family in the Stroud district of Gloucestershire. In the 1820s he went to Thrupp, where he worked in the mills, defining his trade as that of machinist or ‘mechanician'. His new invention was an adaptation of the napping or ‘shearing machine', which used rotary cutters to shear the surplus fibres or nap from the surface of cloth, to achieve a close, even pile on high-quality textiles.
The shearing machine that was his inspiration was a development of a device originally invented by John Lewis in 1815. It was made at John Ferrabee's Phoenix Iron Works, which was conveniently placed for the clothing mills of the ‘Golden Valley' in Gloucestershire. Lewis's original horizontal blade napper was developed into an improved helical form, which offered continuous cutting, and it is assumed that Budding helped make many of these machines, and saw them in action.
Budding's mowing machine used gears, powered by pushing a roller over the ground, which transmitted power to a rotating horizontal shaft supporting three blades. As they turned, the blades swept close to a straight and rigid knife plate on the underside of the machine, and guillotined the grass stalks.
This first machine had a 19-inch (480mm) cutting cylinder with a frame made of cast iron and was pushed from behind. The grass was thrown forward into a tray-like collecting box. The mower had another handle at the front so that a second worker could pull it in difficult areas.
In 1830 Budding went into partnership with the local mill owner and engineer John Ferrabee, who agreed to make the first prototype. It is reported that they tested the machine at night, away from prying eyes. They patented Budding's invention which was described as ‘a new combination and application of machinery for the purpose of cropping or shearing the vegetable surfaces of lawns, grass-plat and pleasure grounds, constituting a machine which may be used with advantage instead of a scythe for that purpose...' [1]
The first mowing machine
Illustration from The Gardener's Magazine of a gentleman pushing a lawnmower designed in 1830 by Edwin Beard Budding. Image courtesy of the Garden Museum.Budding's cylinder machine was initially manufactured by John Ferrabee's company, at the Phoenix Iron Works, and was sold from seven to 10 guineas each. The price included a wooden packing case and delivery (the manufacturer's catalogue offered package and delivery ‘to any principal railway station in the United Kingdom').
At the gardens of the Zoological Society in Regent's Park, the head gardener Mr Curtis undertook a four-month trial of Budding's mower, and commented that he was ‘entirely satisfied' and found that ‘with two men, one to draw and another to push, it does as much work as six or eight men with scythes and brooms; not only in mowing, but sweeping up the grass, and lifting it into a box; performing the whole so perfectly as not to leave a mark of any kind behind.'[2]. Operators had to be watchful, however, that the lawn was free from stones and that it was dry.
A children's lawnmower, made by Webbs in the 1940s or 1950s, RHS Harlow Carr collection. Photograph copyright: Marilyn Elm and RHS Harlow Carr. Budding's machine allowed the middle classes to take part in gardening activities that had previously been the sole domain of the professional. John Claudius Loudon's Gardener's Magazine and the weekly Gardener's Chronicle, published by John Lindley and Joseph Paxton, informed this new audience of ‘amateurs' in all matters horticultural. Even children were encouraged to garden. The impetus for this came from Queen Victoria and Prince Albert, whose own children were given monogrammed miniature gardening tools and equipment to garden at Osborne House on the Isle of Wight.
In 1832 Loudon gave details of Budding's new invention in his magazine, in which Budding stated that among the machine's particular advantages:
Grass growing in the shade, and too weak to stand against a scythe to be cut, may be cut by this machine as closely as required; and the eye will never be offended by those circular scars, inequalities, and bare places so commonly made by the best mowers with the scythe, and which continue visible for several days. [3]
Budding further claimed that ‘Country gentlemen may find, in using my machine themselves, an amusing, useful, and healthy exercise'. [4] Loudon himself declared the machine ‘...to be to be one of the greatest boons that science has conferred on the working gardener in our time'. [5]
Jane Loudon (John's wife) also makes reference to Buddings's invention in her Ladies' Companion to the Flower Garden of 1849 where she states that:
A substitute for mowing with the scythe has lately been introduced in the form of a mowing machine, which requires far less skill and exertion than the scythe... It is particularly adapted for amateurs, affording an excellent exercise to the arms and every part of the body.[6]
The first advertisements were aimed at the wealthy, leisured middle-class market and depicted a well-dressed gentleman in white trousers, coat-tails and a top hat. However, actually using the early mowers made strenuous demands upon its operator. The machine was very heavy and the clutch had to be held in position to maintain the drive, while a firm downward and forward pressure had to be sustained to keep it moving and cutting.
One of the most liberating aspects of the machine was that it allowed the grass to be cut at a sociable hour. Scything had been done either first thing in the morning or at dusk when the grass would be dewy, which made it much easier to cut and produced a smoother result. The new machine could be used at any time and in most conditions, but was best when the grass was dry.
Ferrabee and Budding did not have the capacity to market the mower effectively, so in 1832 they sold a licence to J.R. & A. Ransomes of Ipswich to produce and wholesale the mower. Ransomes were already well established as producers of heavy agricultural equipment. The range of mowers produced was increased, with 16-inch and 22-inch models on offer, and by 1840 more than 1,000 mowers had been sold. Budding died in 1846 from a stroke, so never saw the full potential of his invention. He is also to be remembered for inventing the adjustable spanner.
The Budding model soon became adapted to suit various maintenance needs. Larger machines with wider cutting cylinders were developed to replace the scythe and offer more efficient management of expansive lawned areas. These machines were pony- or horse-drawn and guided by an operator. The animals were equipped with special overshoes known as ‘horseboots', to minimise the damage to the turf.
Set of four horseboots, the RHS Harlow Carr collection. The leather
boots were fitted over a horse's hooves and were fastened with straps
and buckles. Photograph copyright: Marilyn Elm and RHS Harlow Carr.
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Anglesey Abbey England, Lode.
Formal and landscaped gardens of 47 hectares (116 acres) dating from 1926 onwards, surround the former 13th-century Augustinian priory. The garden features a notable collection of statuary, herbaceous borders, a dahlia garden, island shrub beds, and arboretums of conifers and deciduous trees.
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Birkenhead Park England, Wirral.
Birkenhead Park is a mid-19th-century public park occupying 90 hectares. It features parkland, woodland and meadows as well as two lakes and sports facilities.
It is reputed to be the oldest public park in England, and elements of its design occur in Central Park, New York.
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Claremont England, Esher.
Claremont has 18th-century landscaped pleasure grounds and a park. Features include a lake, amphitheatre, grotto and water pavilion.
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Craig y parc Wales, Cardiff.
The house and garden are integrated into a strongly axial design, taking full advantage of the southward slope. The garden survives in its entirety, is well preserved, and is a very good example of this type of architectural Edwardian garden.
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Hall Place, Bexley England, Dartford.
Hall Place is a Grade I listed manor house surrounded by extensive parkland on the banks of the River Cray at Bexley. There are formal gardens around the house, with topiary and herbaceous borders. The walled gardens contain a plant nursery.
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Hestercombe England, Taunton.
Hestercombe House is set in 120 hectares of parkland. There is a formal garden of around 3 hectares beside the house, designed by Edwin Lutyens and Gertrude Jekyll from 1904 to 1908. There is also a landscaped valley behind the house of around 13.5 hectares, created by Coplestone Warre Bampfylde between 1750 and 1790.
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Howick England, Alnwick.
Howick has an early-20th-century woodland garden set within 35 acres of 19th-century wooded pleasure grounds and a 50-hectare late-18th-century parkland.
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Iscoyd Park Wales, Grindley Brook.
Iscoyd Park is a complete, small 18th-century park, although its origins could be much earlier. It has fine specimen trees such as oak, beech and sycamore, and a pond with a mount next to it. The park was enlarged in the 19th century and boundary oak paling erected at that time. There are pleasure grounds around the house.
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Little Sodbury Manor England, South Gloucestershire.
Little Sodbury Manor is a garden on a 15th-century site. There are a number of gardens, including a formal garden and a sunken garden. There are also ponds, a kitchen garden, bowling green and many mature trees.
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Prior Park England, Bath.
Prior Park is a landscaped pleasure grounds and park, laid out from 1734 on by Ralph Allen with advice from Pope to 1743. There are terraced balustraded steps by Goodridge, dating from 1834. These replaced terraces by Allen and Pope. Other features include a Palladian bridge, two gate lodges and a grotto.
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Sydney Gardens England, Bath.
Sydney Gardens occupy a 4 hectare elongated hexagon-shaped site in a residential area to the north-east of Bath. The gardens were opened as a public pleasure ground on the 11th May 1795. They have since been subject to a series of alterations.
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Mayfield Park England, Southampton.
Mayfield Park is a municipal park in the south-east of Southampton with wooded gardens, a walled garden and playing fields.
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Dumbleton Old Hall England, Dumbleton.
The site has humps and hollows in a grass field, the remains of a formal garden which surrounded the 1690s house. An engraving of Dumbleton Hall by Johannes Kip in 1712 shows a formal landscape. A new information panel shows very clearly where the original canals and walkways shown in the Kip engraving were.
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Glandyfi Castle Wales, Machynlleth.
Glandyfi Castle is a Regency gothic castle built on a commanding site overlooking the Dyfi estuary. It has a walled kitchen garden, a setting of mature deciduous woodland, exotic shrubs, lawns and borders.
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Easton Lodge Gardens England, Bishop's Stortford.
The gardens of Easton Lodge, designed by Harold Peto in 1902, include an Italianate garden, Japanese garden, formal lawns and flower beds, and a rose walk. The gardens have been under restoration since the 1970s.
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Glyn Aur Wales, Abergwili, Carmarthen.
Glyn Aur was a cottage garden with extensive topiary, much of it representing biblical figures and events. It was sometimes known as the Garden of Eden. The garden was open in its heyday but is now sadly lost. There are, however, a number of old postcards based on photographs taken by the then owner, which show the full glory of the topiary.
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Brooksby Hall England, Melton Mowbray.
Brooksby Hall is set in 31 acres of grounds, sloping northwards down to the River Wreake. The estate is the country campus of Brooksby Melton College of Further Education and offers training in a wide range of country skills. It was formerly the county agricultural college. The Hall, originally a late 16th Century country house, was extended in the late 19th century. It houses administrative offices for the College as well as offering conference, banqueting and wedding facilities. In the grounds to the south of the Hall, is the Church of St Michael, which dominates the landscape. Modern college buildings, dating from the 1950s to 1970s are located to the north and east of the Hall. The gardens, which are informal in style, include a lake and a stream. The wide range of planting reflects the College's status as a horticultural college.
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Glenfall House England, Charlton Kings.
Glenfall House has a stream garden through a glen with waterfalls. It is partly accessible under Defra's Farm Conservation Scheme until September 2014. The garden has been supplemented by terraces designed by Norman Jewson.
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James Backhouse (3) was a nurseryman and alpine specialist active in the 19th century. He was a member of the noted Backhouse family of horticulturalists and naturalists and a member of the Society of Friends.
Backhouse was born in Darlington, England on 8 July 1794, the son of James Backhouse (2) (1757-1804).
In 1815, together with his brother, Thomas Backhouse (1792-1845), James Backhouse established James Backhouse & Son of York (and later of Leeds), a plant nursery first based at Telford Nursery, York, on what was once the old York Friars Gardens owned by the Telford family.
James married Deborah Lowe (1793-1827) of Worcester in November 1822. Deborah had been very ill when she was young, and suffered ill-health after her marriage to James. She died at the age of 34 on 10 December 1827, and was memorialised by her husband in A Memoir of Deborah Backhouse of York, 1828.
In 1831, Backhouse embarked on a combined missionary tour and plant collecting expedition of Australia, Mauritius and southern Africa, leaving his two young children in the care of family. During his decade abroad, he corresponded with his friends and family in England, including his brother Thomas who was managing and developing the nursery in his absence.
In 1851, together with his son, James (4) (1825-1890), he travelled to Norway. The two also toured the Arctic Circle and several parts of Great Britain in search of plants. Backhouse died in 1869.
Sources:
Backhouse, James, A Memoir of Deborah Backhouse of York; Who Died the Tenth of the Twelfth Month, 1827; Aged Thirty-four Years (W. Alexander & Son, York, 1828).
Davis, Peter, ?Backhouse family (per. c.1770–1945)?, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004) <http://www.oxforddnb.com/view/article/56500> [accessed
21 Nov 2008]- 'The Backhouses of Weardale, Co. Durham, and Sutton Court, Hereford: Their Botanical and Horticultural Interests', Garden History, Vol. 18, No. 1 (Spring, 1990), pp. 57-68.
Hadfield, Miles, Robert Harling and Leonine Highton, British Gardeners: A Biographical Dictionary (London: A. Zwemmer Ltd., 1980), p. 19.
Further reading:
Mary Bartram Trott, 'Backhouse, James (1794 - 1869)', Australian Dictionary of Biography, Volume 1 (Melbourne University Press, 1966), pp 45-46.
Also online at: Mary Bartram Trott, 'Backhouse, James (1794 - 1869)', Australian Dictionary of Biography at http://www.adb.online.anu.edu.au/biogs/A010042b.htm [accessed 12/01/2009] .
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Richard Boyle, 3rd Earl of Burlington, 4th Earl of Cork
Richard Boyle, 3rd Earl of Burlington and 4th Earl of Cork, was an architect and garden designer, a major landowner in Ireland and in England, and a great patron of the arts, active in the 18th century.
In England he had houses at Londesborough, in London's Piccadilly and at Chiswick. Boyle was born at Burlington House, Piccadilly, London, England on 25 April 1694. He died on 3 December 1753 at Chiswick and was buried in the family vault at Londesborough on 15 December 1753. Boyle is particularly noted for his patronage of William Kent and for his promotion of the revival of the Palladian style.
Sources:
Colvin, Howard, A Dictionary of British Architects 1600-1840, 3rd edition (New Haven and London: Yale University Press, 1995), pp. 147-152.
Kingsbury, Pamela Denman, ?Boyle, Richard, third earl of Burlington and fourth earl of Cork (1694–1753)?, Oxford Dictionary of National Biography (Oxford: Oxford University Press, Sept 2004; online edn, Jan 2008) <http://www.oxforddnb.com/view/article/3136> [accessed 21 Nov 2008]
Further Reading:
Carre, Jacques, 'Lord Burlington's Garden at Chiswick', Garden History, Vol. 1, No. 3 (Summer, 1973), pp. 23-30.
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Volunteer Sally Reckert writes about the methodology that they have developed for the project to research and record the small gardens and allotments.
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The Backhouse Nursery of York 1815 - 1955
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Many of the landscapes that they inspired or created can still be enjoyed today, and where they have disappeared their historic legacy lives on.
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Designed landscapes have played a key role in the landscape for centuries. While many people associate them with country houses of the 18th and 19th centuries, they have in fact a much more complex history which links them with the visual arts such as painting and sculpture as well as literary traditions and authors, such as Jane Austen, with whom the 18th-century heyday of the country house and its parkland landscape has become synonymous.
Alan Barber: champion of the people's parks
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